EXPAND TO FIND ALL THE LINKS BELOW.

LINKS:
Ranma animation: https://twitter.com/giwono0708..../status/163723159343

Sonic test animation: https://twitter.com/A_Grey_Per....son/status/163768907

Yotam Perel - When Your Dad Dies: https://www.youtube.com/watch?v=OEu3yDPnzwE&ab_channel=LazyPillow%28YotamPerel%29

Yotam Birthdays: https://www.youtube.com/watch?v=TJHYdgN-fAc&list=PL5DS-8s-l7fftXCf2CtJ6aIZZd2PWVoBW&index=1&ab_channel=Sandmanfan

Drone: https://www.youtube.com/watch?v=RubSLGTrdOA&ab_channel=SeanBuckelew

AI Coloring tool: https://twitter.com/cadmiumai/....status/1421158056986

Caramelldansen Template: https://twitter.com/pk_kenzie/....status/1632847614172

Magical Girl Ina: https://twitter.com/harutimu_4....15/status/1637431225

N64 Style animations: https://twitter.com/andmish/st....atus/163394914427965

Anatomy Animations: https://twitter.com/lonionjon/....status/1637808407896

Super Saiyan Raditz: https://twitter.com/JsCandyHel....l/status/16150165700

Me and My Shadow test: https://twitter.com/Insanimate..../status/163580752854

Bad Apple on a Apple: https://twitter.com/0by0ne/sta....tus/1629838582029459

Goldfish Toon: https://www.newgrounds.com/portal/view/876134

3DS animation: https://vimeo.com/808970789

Lackadaisy: https://www.youtube.com/watch?v=vffu6FG4YP4&ab_channel=Lackadaisy


My Twitter:
https://twitter.com/RubberNinja

This is a new video format I'm calling Animonthly, spotlighting amazing animation from across the internet. Animonthly was originally a Twitter hashtag I posted for many years where I would retweet work from across the internet once per month, but with my platform on YouTube being as large as it is now I wanted to bring a lot of that attention to the artists. So please go check out anything that interests you and show those animators your support!


Edited by:
https://twitter.com/SmeetheNation

The History of Animation — a guide to the evolution of animation styles, techniques, technologies, and how filmmakers bring their subjects to life.

What is Animation? ►► https://bit.ly/sl-an
The Shot List Series ►► https://bit.ly/the-shot-list
StudioBinder Blog ►► http://bit.ly/sb-bl

─────────────────────

Chapters:
00:00 - Intro to Animation
00:52 - History of Animation
03:05 - Traditional Animation
08:39 - Rotoscoping
11:09 - Anime
14:08 - Stop Motion
16:29 - Cutout
19:20 - 3D Computer
22:33 - Takeaways

─────────────────────

Special thanks to:
The Art of Aaron Blaise ►► https://bit.ly/ao-ab
Bradleigh Utz ►► https://bit.ly/bf-lu
Flipt Pictures ►► https://bit.ly/fl-pc
Massimo Giangrande ►► https://bit.ly/ms-ge, https://bit.ly/ma-ge
MPC ►► https://bit.ly/em-ce
sumerias1 ►► https://bit.ly/su-ms
Victoria and Albert Museum ►► https://bit.ly/vi-am
Your Average Skillets ►► https://bit.ly/ya-sk

─────────────────────

THE HISTORY OF ANIMATION & EVOLUTION OF ANIMATION STYLES

From the beginning of film history, filmmakers have experimented with animation in many forms and techniques. In this video, we will lay out a brief history of animation and the evolution of animation styles. Including the techniques, the technologies, the differences, and the various mediums animators use to give their inanimate subjects the illusion of life.

The word animation comes from Latin "animatio" and means “a bestowing of life.” Like film, animation is the illusion of movement through the rapid succession of images created by a process called “persistence of vision.” This works because when we see one image, it is retained on our retina for a fraction of a second, just long enough for a second image to appear — and thus, we see a single moving image instead of a series of flashing static images.

Traditional animation was the dominant type of animation in the 20th century. Basically, this involves drawing images, frame-by-frame. As the years went on, new techniques were developed to turn animation into more of an assembly line process. Animators like Walt Disney and his studio helped turn animation into a viable commercial and artistic medium.

Rotoscoping is a technique that uses live-action footage as a reference to create animation with more realistic movement. Today, we can see variations of this process in films like Richard Linklater’s Waking Life and A Scanner Darkly. Anime is an umbrella term used to describe Japanese animation, which tends to share many of the same styles and techniques as Western animation, along with some key deviations.

Stop-motion animation is also similar to traditional animation, except the subjects are often physical objects instead of drawings, like puppets or figurines. Claymation is a sub-type of stop-motion animation that uses plasticine clay. Cut-out animation uses shapes or characters cut out of paper or fabric and moved frame-by-frame. More recently, 3D animation has replaced 2D animation as the most common animation style. And, yet, it follows the same general principles.


#FilmTheory #VideoEssay #Filmmaking

─────────────────────

♬ SONGS USED:

"Caution (Instrumental)" - Skrxlla
"Origin" - David A. Molina
"A Battle in the East" - Rhythm Scott
"1986" - Angel Salazar
"Animatio" - Mike Steele
"Colors of the Wind (From Pocahontas)" - Royal Philharmonic Orchestra
"The Entertainer" - E's Jammy Jams
"Still Need Syndrome" - Yarin Primak
"By the Dear Old River Rhine" - Burr and Campbell
"Can't Help It" - Shtriker Big Band
"Ripples" - Tamuz Dekel
"Blue Beings"
"Echo" - Twin Signals
"In Love with Emi" - Fabien Fustinoni
"Take On Me" - a-ha
"O Come Let Us Adore Him (Instrumental)" - Salt of the Sound
"From a Distance (Theme from Hit TV)" - Makeup And Vanity Set
"Dojo Tradition (Instrumental)" - In This World
"The Path Of The Wind (Instrumental)" - Joe Hisaishi
"Visit to Hida" - RADWIMPS
"Kaneda" - Geinoh Yamashirogumi
"A Town with an Ocean View" - Joe Hisaishi
"Flare" - Theatre of Delays
"Merge"
"Story Time" - Dario Marianelli
"Action Drums" - Rhythm Scott
"Time Warp" - Notize
"Yes I Am " - Zach Sorgen
"South Park Theme" - Primus
"Theme Song Ending Credits"
"Stuck Behind a Train (Instrumental)" - Makeup And Vanity Set
"Double Espresso" - Francesco D'Andrea
"New World" - Ian Post
"Wistful (Instrumental)" - Falls
"You've Got a Friend in Me" - Randy Newman
"A New Morning" - Portl
"To Burn" - Man With Roses
"State Lines (Instrumental)" - Aaron Kellim

Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF

─────────────────────

SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0

Looking for production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing

— Join us on Social Media! —

Instagram ►► https://www.instagram.com/studiobinder
Facebook ►► https://www.facebook.com/studiobinderapp
Twitter ►► https://www.twitter.com/studiobinder

In this video I take you through my paper flipping method in order to create an "inbetween" drawing within my animation.

Watch as former Disney Animator and Director Aaron Blaise teaches animation!

*** Subscribe to My Channel for More Art & Animation Videos: ***
http://www.youtube.com/subscri....ption_center?add_use

============================
Like my work? Follow me for More:
============================

Twitter: http://twitter.com/AaronBlaiseArt
Instagram: http://instagram.com/AaronBlaiseArt
Facebook: http://facebook.com/TheArtofAaronBlaise

*** Find More Art Lessons and Tutorials at my Website: ***
https://CreatureArtTeacher.com/?src=yt

Watch MORE episodes:

Painting Rajah from "Aladdin" in Photoshop:
https://www.youtube.com/watch?v=LuaMG0_-xWw

Creating Textures with Photoshop Texture Brushes:
http://goo.gl/WPGVO3

Time Lapse Painting “Nubian Warriors”:
http://goo.gl/JrVhp6

============================
About Aaron Blaise:
============================

Aaron Blaise is an animation feature film director and wildlife artist.

For 21 years Aaron worked with Disney helping to create some of the greatest animated films ever made. During that time he worked as an animator or supervising animator on "The Rescuers Down Under", "Beauty and the Beast", "Aladdin", "The Lion King", "Pocahontas", "Mulan" and more.

In 2003 he was co-director of "Brother Bear" for which he earned an Oscar nomination for Best Animated Feature Film.

After "Brother Bear" he helped to develop several projects but ultimately left Disney to pursue an opportunity back home in Florida. Aaron recently served as 2D Animation Supervisor and Character Designer for the "The Bear and the Hare" an advertisement loved by millions around the world. (https://vimeo.com/78740926)

Aaron currently is working on his mission to bring affordable art education and animation training to the world through his website: https://CreatureArtTeacher.com/?src=yt

Do you miss 2D animated movies? I do! Major studios have long dropped 2D animation in feature films, but their reasons just aren't good enough to stop 2D animation in movies forever.
***This video focuses on western animation, since 2D animation is still prevalent in anime, etc.



Timestamps:
Intro 00:00 - 01:29
Why Studios Dropped 2D: The $$$ 01:29 - 04:48
Why Studios Dropped 2D: Quality Control 04:48 - 05:43
Why Studios Dropped 2D: Out With The "Old" 05:43 - 08:59
Outro 09:00 - 09:08

Music Credits:
----------------------------------------------------
♪ Piki - Monogatari
link: https://youtu.be/8ynhOUEIPHM
----------------------------------------------------
♪ Piki - Happy Walking
link: https://youtu.be/RnSu-7HqD-Q
----------------------------------------------------
"Dollar symbol gold" image created by Rugby47:
https://commons.wikimedia.org/....wiki/File:Dollar_sym

Today's episode on the String Bing Workshop is about traditional animation skills and habits to keep when approaching 2D hand drawn animation. We talk about traditional animation techniques that will help for the digital medium, and habits to stay away from.

Special thanks to Scott Wright, Matt Williames, Patrick Stannard, Samantha Maurer, and Sandeepan Chanda for the extra help!

MUSIC:
Saint Patrick's Parade - Doug Maxwell
Climbing - Bird Creek
Highway Wild Flowers - Bird Creek
Dusty Tears - Silent Partner
Believer - Silent Partner

This clip is taken from a 1938 short called "How Walt Disney Cartoons Are Made". I have simply taken out a lot of the footage devoted to publicising the Film "Snow White and the Seven Dwarfs". I have done this not because I dislike the film (it is, in fact, one of my all-time favourites) but to make it short to show in class.

ABOUT ME

Hi, I’m Steve LITTLE and yes, I am an old-school Disney Fan. And I’m glad to introduce the great artistry of hand-drawn animation through this video.

I’m working on other videos about this era & I will be rejuvenating my website with a blog & hopefully a newsletter to support this. I hope you can remain patient & stay subscribed till then. If there is anything you are specifically interested in please drop me a line & let me know at [email protected] or on Twitter @RedAndBlackZone.

MY ONLINE PROFILES

Website - https://redandblackzone.com
Twitter - https://twitter.com/redandblackzone
Facebook - https://www.facebook.com/redandblackzone
Instagram - https://www.instagram.com/redandblackzone
LinkedIn - https://www.linkedin.com/in/redandblackzone
YouTube - https://www.youtube.com/bigsteve1908 + https://www.youtube.com/redandblackzone.com
Vimeo - https://vimeo.com/stevelittle
Pinterest - https://www.pinterest.com.au/redandblackzone
Behance - https://www.behance.net/redandblackzone
99Designs - https://99designs.com.au/profiles/redandblackzone
The Loop - https://www.theloop.com.au/SteveLittle
Reddit - https://www.reddit.com/user/BigSteveLittle
Twitch - https://www.twitch.tv/bigstevelittle
Discord - BigSteveLittle
Jsfiddle - https://jsfiddle.net/user/BigSteveLittle/fiddles
Github - https://github.com/BigSteveLittle
Bitbucket - https://bitbucket.org/redandblackzone/
Patreon - https://www.patreon.com/redandblackzone

How to Animate with the Method used at the Walt Disney studio,
using the Yzma Cat scene from "The Emperor's new Groove"!
A simple System created to keep a constant Workflow!

Check also: https://youtu.be/88SK1XkxrBI

#disneyanimation #theemperorsnewgroove #yzmacat

Paradise by MBB
Music promoted by https://www.free-stock-music.com
Creative Commons Attribution-ShareAlike 3.0 Unported

Animation tutorials by Scott T. Petersen. In this segment Scott teaches how to create a propper in-between. To order all of Scott's DVD tutorials for animators go to www.animationexcellence.blogspot.com or www.goldenstreetanimation.com

Work titles:
0:02 - 0:09 : Personal work "Yaoguai"
0:09 - 0:17 : WEBTOON Commission -- Soulwinder trailer
0:18 - 0:26 : One Piece Ep 1015
0:26 - 0:52 : Chainsaw Man Ep 8
0:52 - 0:53 : Hades 2 Trailer
0:53 - 1:00 : Personal work "Yaoguai"
1:00 - 1:02 : Hades 2 Trailer
1:03 - 1:07 : One Piece Ep 1015

It's been a very long time. This year I quit art college and began working as a freelancer for Japanese anime, so I haven't had as much time to post personal projects.

I'm a bit sad there's not as much time to work on personal animations anymore, and next year there will be even less. But through my professional work I've met so many incredible people and worked on amazing projects, that I'm very excited for 2023 and the future.

Thank you for your support despite my inactivity. If you'd like to keep up to date with my personal work and see unreleased artwork, I've made a Patreon: https://www.patreon.com/curielu

Wish that everyone is doing well, and for a happy and productive 2023!

BGM: livingroom by Kensuke Ushio (https://www.youtube.com/watch?v=NaHUz4-G4x0)

With the release of Puss in Boots: The Last Wish, we've never been closer to completely blurring the line between 2D and 3D animation. Why does "choppy" animation work so well, and why are animators so excited about it?
Support me on Patreon! https://www.patreon.com/doodley
Subscribe! https://bit.ly/3rugbJ5
Store: https://shop.doodley.org/
More Videos: http://doodley.org/
--------------------------------------------------------------------------------------------------------------------------
Sublo and Tangy Mustard Ep. 15: https://youtu.be/ATinaJiH7S8
Making Fluid and Powerful Animations For 'Skullgirls': https://youtu.be/Mw0h9WmBlsw
Polygon article: "A new wave of animators are ‘fighting the computer’ to make wilder, weirder movies" by Petrana Radulovic https://www.polygon.com/230337....50/the-bad-guys-pier

Animation by David Oneacre
✒️ Portfolio: https://davidoneacre.com/

Music by Jayfoo
http://www.jayfoo.com/
📼 Subscribe: https://bit.ly/2D0PhjX
🎵 Soundcloud: https://soundcloud.com/jason-fujita
🐦 Twitter: https://twitter.com/jasonfujita

Assistance and Support by Melanie Tan
✒️ https://www.meltan.art/
🐦 Twitter: https://twitter.com/Sproutlines

Spanish Subtitles by ribbit.ram
(Disclaimer: Around 6:02, I used some ad-libbed audio, so my translated script differs from what I handed for translation and I used Google translate to fill in two lines. If they're lacking here, that would be my fault, not the translator. I believe in quality, paid translations, so thanks for understanding!)

Gimberly uses kamone416's toon shader, which you can find here:
https://kamone416.gumroad.com/l/hnddn

Additional Audio:
"Lost Grace Discovered" sound effect from Elden Ring
--------------------------------------------------------------------------------------------------------------------------
0:00 Intro
0:13 Animation FPS is not Video Game FPS
0:32 Ones, Twos, and Threes
1:34 Nothing Is Better
2:51 Between Traditional and Digital Animation
4:11 Fighting The Computer
6:01 Closing Thoughts
6:39 Outro

Process of a 2d Rough Animation shot.

Some people were asking for roughs of this shot to see the process a bit, and here is what I was able to dig up.

There is some live action reference that I filmed first, followed by the first rough version in which everything having been mostly worked out (after many revisions). After that I realized tying down from that version would be pretty difficult so I wanted to have something closer to the final model while I fleshed out the cape/punches more. After that is the final tie down.

There is a lot I would like to change if I could go back and do it again, but I learned a lot on this shot as it was pretty challenging, but a lot of fun all the same.

Also the timing charts were more notes for myself and I wouldn't recommend using them to learn from as things changed timing wise and I don't believe they were updated.

Thanks for checking out the video!

Follow me on socials:
Instagram: https://www.instagram.com/kelanhordos/
Twitter: https://twitter.com/KelanHordos
Vimeo: https://vimeo.com/user120061747

Main Website
https://www.kelanhordos.com

Here's my Freshman Traditional animation demo reel from my Traditional animation 1 class at Ringling College of Art and Design

Everyone who talks about animation talks about something important, and this is it.

In this short video, Aaron does a quick demonstration on how he creates traditional hand drawn animation on paper.


*** Subscribe to My Channel for More Art & Animation Videos: ***
http://www.youtube.com/subscri....ption_center?add_use

============================
Like my work? Follow me for More:
============================

Twitter: http://twitter.com/AaronBlaiseArt
Instagram: http://instagram.com/AaronBlaiseArt
Facebook: http://facebook.com/AaronBlaiseArt

*** Find More Art Lessons and Tutorials at my Website: ***
https://CreatureArtTeacher.com/?src=yt

Watch MORE episodes:

Painting Rajah from "Aladdin" in Photoshop:
https://www.youtube.com/watch?v=LuaMG0_-xWw

Creating Textures with Photoshop Texture Brushes:
http://goo.gl/WPGVO3

Time Lapse Painting “Nubian Warriors”:
http://goo.gl/JrVhp6

============================
About Aaron Blaise:
============================

Aaron Blaise is an animation feature film director and wildlife artist.

For 21 years Aaron worked with Disney helping to create some of the greatest animated films ever made. During that time he worked as an animator or supervising animator on "The Rescuers Down Under", "Beauty and the Beast", "Aladdin", "The Lion King", "Pocahontas", "Mulan" and more.

In 2003 he was co-director of "Brother Bear" for which he earned an Oscar nomination for Best Animated Feature Film.

After "Brother Bear" he helped to develop several projects but ultimately left Disney to pursue an opportunity back home in Florida. Aaron recently served as 2D Animation Supervisor and Character Designer for the "The Bear and the Hare" an advertisement loved by millions around the world. (https://www.youtube.com/watch?v=XqWig2WARb0)

Aaron currently is working on his mission to bring affordable art education and animation training to the world through his website: https://CreatureArtTeacher.com/?src=yt